Anne V Massey
Ripple single studs
Ripple single studs
These simple, delicate earrings with their hammered texture and elegant twist are lightweight and easy to wear. Their organic design is contemporary yet timeless. They would be ideal wear for a bridesmaid to a bride who is wearing my Ripple triple studs, and a great "thank you" gift for her.
- Made from recycled ecosilver.
- Each stud measures 2cm x 0.3cm.
- Fastened with a Sterling silver post and butterfly.
- From the same collection as my Ripple pendant, Ripple brooch, Ripple triple studs and Ripple triple drop earrings.
- Worn horizontally, with the upsweep following the outer curve of the ear.
- Made in my Hove workshop.
- For overseas customers there is a minimum charge of £100.
Made by the hammer process of anticlastic raising, the studs are strong but light enough for everyday wear and chic enough for a dressy occasion. They are comfortable enough to wear all day. They are fresh yet sophisticated enough for wearers of any age, and would make a lovely birthday or Christmas gift.
You can keep them looking spruce with this simple method which avoids harsh chemical cleaners and protects the satin-matte finish.
Free gift wrapping can be selected at the checkout.
I send out my UK orders by Royal Mail Special Delivery – a tracked, next-day service – and international orders by Royal Mail International Tracked and Signed. Postage is included in the price, but non-UK customers will be responsible for any duties, taxes or additional delivery charges. I am currently not posting to the EU due to the complexity of the new rules.
I always like to hear from you, so if you have any further questions about the studs or any of my jewellery, please contact me at email@example.com.
Pieces which are gold plated all over (gold vermeil) may need cleaning from time to time; although gold does not tarnish, the silver underneath may. All my work is best cleaned by methods which do not involve rubbing, which causes the jewellery to lose its semi-matte finish and gradually makes it become shiny. My favourite involves using readily available household items - hot water and bicarbonate of soda with aluminium foil in a heatproof glass or ceramic bowl. Even better, it's sustainable! You can re-use old foil - repeatedly! - but it needs to be clean. You can clean more than one piece of jewellery at a time, but as this is an electrochemical process each piece needs to be in contact with the foil. It doesn't matter which way up the foil is. The hotter the water, the faster the reaction goes. Enough bicarb should be used to cover each piece. This won’t damage the gold plating on wholly- or part-plated pieces, but hot water should not be used on pieces which incorporate stones; some stones can be damaged or even destroyed by thermal shock. There are many versions of this technique available on the internet, and also many sites which have information about stones and their vulnerability/resistance to thermal shock.
The first two images show a pendant before and after cleaning by this method.
The next series of images shows a more heavily tarnished brooch. The images are taken at 20 minute intervals. As you can see, the brooch never becomes as clean and bright as the example above.
This technique works best if the piece is not too heavily tarnished.
Storing your jewellery properly can help retard or prevent tarnishing. Direct sunlight, humidity, chlorine and hairspray all accelerate tarnishing. Storing the jewellery in a box in a dry room (not the bathroom, for example) will help keep it looking bright and fresh. The jewellery should not be worn to a swimming pool, and hairspray should be applied before putting jewellery on. Salt (including from perspiration) can also react with silver, so it should not be worn for swimming in the sea.
If you don’t mind losing the surface “bloom”, you can use a commercially available cleaner such as Goddard’s foaming paste, or even toothpaste, with a soft toothbrush.
Much of this information is taken from Masamitsu Inaba's article Tarnishing of Silver: A Short Review in the Victoria and Albert Museum's Conservation Journal, January 1996 Issue 18. Many thanks.