Anne V Massey
This small contemporary pendant is made by hand from recycled silver. Its organic design sports refined, classic curves and the lightness and strength typical of anticlastic raising. The finish is soft and satiny, whether you choose lush gold vermeil or elegant silver. A charming gift for a loved one - or yourself.
- Comes in a choice of two colours, yellow gold vermeil (plated, 24 carat) or plain silver.
- Hand-hammered by the technique of anticlastic raising, by me in my Hove studio.
- The pendant measures about 1cm x 0.8cm.
- Hangs from a Sterling silver snake chain with a choice of three lengths - 16"/40cm, 18"/45cm or 20"/50cm. The chain fastens with a lobster clip.
For overseas customers there is a minimum order of £100.
This light, delicate pendant with its unusual design hinting at Art Nouveau can be comfortably worn all day. It would make a thoughtful gift for a special person. Its discreet charm will appeal to those who wear jewellery for their own pleasure, not display.
Whether you choose the gold vermeil version or the silver version, the pendant can be cleaned by this simple technique which avoids harsh chemicals and protects the satin-matte finish.
Free gift wrapping can be selected at the checkout.
I send out my UK orders by Royal Mail Special Delivery – a tracked, next-day service – and international orders by Royal Mail International Tracked and Signed. Postage is included in the price, but non-UK customers will be responsible for any duties, taxes or additional delivery charges. I am currently not posting to the EU due to the complexity of the new rules.
In stock items will normally be despatched within 5 working days of the order being sent, made to order pieces in 2-4 weeks. I will email you with the tracking number after posting.
Please contact me at email@example.com if you have any questions or concerns.
Pieces which are gold plated all over (gold vermeil) may need cleaning from time to time; although gold does not tarnish, the silver underneath may. All my work is best cleaned by methods which do not involve rubbing, which causes the jewellery to lose its semi-matte finish and gradually makes it become shiny. My favourite involves using readily available household items - hot water and bicarbonate of soda with aluminium foil in a heatproof glass or ceramic bowl. Even better, it's sustainable! You can re-use old foil - repeatedly! - but it needs to be clean. You can clean more than one piece of jewellery at a time, but as this is an electrochemical process each piece needs to be in contact with the foil. It doesn't matter which way up the foil is. The hotter the water, the faster the reaction goes. Enough bicarb should be used to cover each piece. This won’t damage the gold plating on wholly- or part-plated pieces, but hot water should not be used on pieces which incorporate stones; some stones can be damaged or even destroyed by thermal shock. There are many versions of this technique available on the internet, and also many sites which have information about stones and their vulnerability/resistance to thermal shock.
The first two images show a pendant before and after cleaning by this method.
The next series of images shows a more heavily tarnished brooch. The images are taken at 20 minute intervals. As you can see, the brooch never becomes as clean and bright as the example above.
This technique works best if the piece is not too heavily tarnished.
Storing your jewellery properly can help retard or prevent tarnishing. Direct sunlight, humidity, chlorine and hairspray all accelerate tarnishing. Storing the jewellery in a box in a dry room (not the bathroom, for example) will help keep it looking bright and fresh. The jewellery should not be worn to a swimming pool, and hairspray should be applied before putting jewellery on. Salt (including from perspiration) can also react with silver, so it should not be worn for swimming in the sea.
If you don’t mind losing the surface “bloom”, you can use a commercially available cleaner such as Goddard’s foaming paste, or even toothpaste, with a soft toothbrush.
Much of this information is taken from Masamitsu Inaba's article Tarnishing of Silver: A Short Review in the Victoria and Albert Museum's Conservation Journal, January 1996 Issue 18. Many thanks.